In “Nor’easter,” the world has been reduced to a single, hushed shade of white. A lone gray squirrel, fur crusted with snow, clings to the edge of a buried shepherd’s-crook feeder, its tiny paws pressed together as it nibbles a seed in defiant slow motion. The feeder itself is almost…
“Wise Owl” fuses cosmic terror and primordial sentience into a single, searing vision. At the center, two serene turquoise disks hover like the calm, unblinking eyes of an ancient owl, while a single amber teardrop beak glows beneath them, steady and knowing. Yet the surrounding field is no longer merely…
“Transparent Sandbar” reduces the world to a hushed, almost weightless meditation on distance and solitude. A lone Conimicut Lighthouse, tiny and perfectly centered on the horizon, rises from a low emerald-green shoal that seems to float in a sea of liquid blues. The water itself is rendered as translucent horizontal…
“Jinrikisha and Mount Fuji” is a vibrant, stylized painting that fuses traditional Japanese imagery with a bold, almost cubist abstraction. In the foreground, a rickshaw puller in a wide conical hat strains forward, his body fragmented into sweeping planes of turquoise, orange, and magenta, while the passenger sits sheltered beneath…
“Colors” is a hushed, twilight reverie in watercolor and pastel that feels like standing inside a memory of autumn just as it slips into night. A low horizon glows faintly, as though the last light of day is dissolving into a lake or marshland, its surface rippling with muted reflections…
“Standing Still” captures a single, perfect instant of suspended motion above the restless Atlantic at Point Judith, Rhode Island. A lone gull, wings fully spread and primaries splayed like fingers catching the wind, hovers motionless against a pale winter sky, its body perfectly parallel to the calm sea below. The…
“Conflagration” is a visceral, almost apocalyptic watercolor that feels less painted than ignited. From a molten horizon of searing oranges and blood-reds, towering flames of acid-green, black, and violet rise and twist like living entities, their edges dissolving into smoke and light. The fire consumes everything yet somehow remains strangely…
“Music at the End of a Brush” is a jubilant, swirling abstract portrait that feels like a melody made visible. A pale golden face in soft profile emerges serenely from a riot of flowing, ribbon-like shapes in mint greens, corals, magentas, and sky blues, as though the figure is listening…
“The Empty Chair” is a striking abstract watercolor painting dominated by a vivid palette of magentas, deep reds, earthy browns, muted golds, and soft blues. At its center, a negative space forms the unmistakable silhouette of a chair (its back, seat, and legs clearly delineated by the surrounding shapes), yet…
“Man’s Folly” is a fractured lament where a whale’s tail becomes both monument and casualty in a restless, multicolored seascape. The flukes splinter into jagged planes of viridian, indigo, and scarlet, thrusting upward like a tormented spine before flaring into angular lobes in lime and ochre, their edges sharp as…